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Man and Culture
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Russian North in Viktor Vasnetsov's and Other Artists' Art Work

Skorobogacheva Ekaterina Aleksandrovna

PhD in Art History

chief specialist at Moscow State Art Gallery N. A. Honored Artist of the USSR Ilya Glazunov

101000, Russia, Moskovskaya Obl. oblast', g. Moscow, ul. Myasnitskaya, 21

Skorobogacheva@mail.ru
Другие публикации этого автора
 

 

DOI:

10.7256/2306-1618.2013.2.576

Review date:



Publish date:

1-4-2013


Abstract.

The purpose of the article is to define the role and meaning of images and art of the Russian North in continuing traditions of Russian national culture. The author of the article bases her research on the art work created by Viktor Vasnetsov and other artists of his circle. The author analyzes art work by Viktor Vasnetsov, Apollinary Vasnetsov, Konstantin Korovin, Mikhail Vrubel, Elena Polenova, Milyutin and some other artists. Images of the Russian North are especially important in Vasnetsov's art work. State by stage the author of the article describes how Vasnetsov's world view had been developing through his childhood, youth and maturity. The author also analyzes how the images of the North were expressed in Vasnetsov's painting, graphics, architectural projects and hand crafits (furniture). At the end of the article the author makes the following conclusions: 1. Viktor Vasnetsov and other artists he communicated with tried to understand the essence and nature of people's life. For this purpose they learnt and enriched images of the North. 2. Viktor Vasnetsov's art work presents a typical example of how the Russian North influenced the art work style. 3. The Northern land taught them a new artistic language which proves a peculiar role of the Russian North in revival of Russian national roots in art and culture at the turn of the XIX - XX centuries. 

Keywords: culture, art, North, Vasnetsov, the Abramtsevo 'estate-museum', fine arts, architecture, style, traditions, world view
This article written in Russian. You can find full text of article in Russian here .

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