Творчество художника Юэ Миньцзюня в диалоге традиций западноевропейской и китайской живописи

Ван Цзитай

doi:10.25136/2409-8744.2020.3.32579


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Man and Culture

Reference:

Wang J. — Works of the artist Yue Minjun in the dialogue of traditions of Western European and Chinese painting // Man and Culture. – 2020. – № 3. – P. 1 - 16. DOI: 10.25136/2409-8744.2020.3.32579 URL: https://en.nbpublish.com/library_read_article.php?id=32579

Works of the artist Yue Minjun in the dialogue of traditions of Western European and Chinese painting

Van Jitai

PhD in Art History

Postgraduate student, the department of Art History, Saint Petersburg Stieglitz State Academy of Art and Design

198328, Russia, Sankt-Peterburg oblast', g. Saint Petersburg, ul. Pr-T kuznetsova,, d. 30/9, of. Obshchezhitie K 315

wangjitai@mail.ru

Другие публикации этого автора

DOI:

10.25136/2409-8744.2020.3.32579

Review date:

03-04-2020

Publish date:

10-04-2020

Abstract.

This article provides a comprehensive analysis of the visualized ego-image of the artist with grinning face as the key character of Yue Minjun’s paintings – one of the prominent representatives of cynical realism trend in Chinese contemporary painting. The image is interpreted through the prism of Chinese socialism, Eastern and Western art traditions. The author describes in detail the works from different series, determines typical features of individual manners, and compares works for revealing the common to cynical realism set of artistic means. The article elucidates the concept of interaction of the techniques of Western and Chinese paining using the particular examples, including Yue Minjun’s thoughts on the psychology of art overall, their analysis, and conclusions formulated for more profound understanding of his artworks. Yue Minjun opts for the diverse expressive means and game approaches depending on the goal: symbols of mass culture, recognizable classical themes of Western European painting, computer technologies, cartographic representations, as well as subjective mental images – for creating certain visual symbols carrying on a dialogue with the audience. The concept of his works consists in the ironic attitude to life underlying the cynical realism. It is evident that the modern Chinese paining entered the era of bie-modern.
Keywords: contemporary Chinese art, visual symbols, iconicity, image, political pop art, conceptual art, Western modernist painting, Western European classical painting, Chinese traditional painting, Cynical Realism
This article written in Russian. You can find full text of article in Russian here .

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