Works of the artist Zhang Xiaogang in the dialogue of traditions of Western European and Chinese painting
по
Journal Menu
> Issues > Rubrics > About journal > Authors > About the Journal > Requirements for publication > Editorial collegium > Editorial board > Peer-review process > Peer-review in 24 hours: How do we do it? > Policy of publication. Aims & Scope. > Article retraction > Ethics > Copyright & Licensing Policy > Publication in 72 hours: How do we do it? > Digital archiving policy > Open Access Policy > Open access publishing costs > Article Identification Policy > Plagiarism check policy
Journals in science databases
About the Journal

ѕубликаци€ за 72 часа - теперь это реальность!
ѕри необходимости издательство предоставл€ет авторам услугу сверхсрочной полноценной публикации. ”же через 72 часа стать€ по€вл€етс€ в числе опубликованных на сайте издательства с DOI и номерами страниц.
ѕо первому требованию предоставл€ем все подтверждающие публикацию документы!
MAIN PAGE > Back to contents
Man and Culture
Reference:

Works of the artist Zhang Xiaogang in the dialogue of traditions of Western European and Chinese painting
Van Jitai

PhD in Art History

Postgraduate student, the department of Art History, Saint Petersburg Stieglitz State Academy of Art and Design

198328, Russia, Sankt-Peterburg oblast', g. Saint Petersburg, ul. Pr-T kuznetsova,, d. 30/9, of. Obshchezhitie K 315

wangjitai@mail.ru
ƒругие публикации этого автора
 

 

DOI:

10.25136/2409-8744.2020.2.31891

Review date:

21-03-2020


Publish date:

24-03-2020


Abstract.

This article examines the artworks of Zhang Xiaogang as a prominent representative of the modern Chinese painting, peculiarities of his mastery formed in different periods of his creative path under the dual influence of Chinese and Western painting. Transformation and evolution of painting concepts and formal artistic means, claimed in the painter’s “Bloodline-Big Family” series, demonstrate how the “own historical memory” forms new expressive forms of painting. The author compares the interaction of forms and languages in the Western and Chinese painting, as well as analyzes characteristics of the structure of brush strokes of the painter in different periods for showing the formation of the inner spiritual essence. It proves that the clash of concepts of the Western and Chinese painting generated new artistic phenomena, which represent a result of assimilation of painting concepts and “localization” of formal language. The mutual influence of two cultures lead to origination of multiple ideas of plasticity and artistic forms. China has entered the period of “non-modernism”.

Keywords: visual symbol, photography, political pop art, conceptual art, western modernist painting, classical western european painting, traditional chinese painting, contemporary art of China, cynical realism, Zhang Xiaogang
This article written in Russian. You can find full text of article in Russian here .

References
1.
王建疆 (Van Tszyan'tszyan). У别现代Ф: 话语创新的背后 (Drugaya sovremennost'ї: po tu storonu innovatsii diskursa) //上海文化. 2015. є 12. Ц P.5-9转23.
2.
陈一云, (Chen Iyun),杨瑾(Yan Tszin').当代语境下绘画基础的认识与思考(Ponimanie i myshlenie osnov zhivopisi v sovremennom kontekste).//云南艺术学院学报. Ц 2009. Ц є 01. Ц P. 24-26.
3.
吕 澎 (Lu Vei). 中国当代艺术的萌芽 Ч 以张晓刚早期艺术思想及其表现手法为例 (Zarozhdenie kitaiskogo sovremennogo iskusstva Ц na primere rannikh khudozhestvennykh idei Chzhan Syaogana) //文艺研究. Ц 2016. Ц є 5. Ц P. 121-133.
4.
栗宪庭 (Li Syan'tin). 中国当代艺术的缩影式艺术家__张晓刚和他的缩影式中国人的肖像 (Sovremennyi kitaiskii khudozhnik Chzhan Syaogan i ego portrets kitaitsev) // 东方艺术. Ц 2016. Ц є 23. Ц P. 137-144.
5.
刘晓红 (Lyu Syaokhun). 张晓刚绘画 的心理 因素分析 (Psikhologiya zhivopisi Chzhan Syaogana. Analiz faktorov) // 大众文艺. Ц 2016. Ц є 2. Ц P. 115.
6.
张晓刚创作早期 (Rannie tvoreniya Chzhan Syaogana) [Elektronnyi resurs]: http://news.99ys.com/news/2019/0313/25_214838_1.shtml (data obrashcheniya Ц 09.10.2019).
7.
黄专 (Khuan Chzhuan'). 张晓刚 Ч 记忆的迷宫 (Chzhan Syaogan Ц labirint pamyati) [Elektronnyi resurs]: https://news.artron.net/20160715/n851177_.html (data obrashcheniya-09.09.2019).
8.
张晓刚:艺术是一种信仰 (Chzhan Syaogan: iskusstvo eto vera) [Elektronnyi resurs]: http://art.ifeng.com/2015/1021/2567954.shtml (data obrashcheniya Ц 18.09.2019).
9.
张晓刚,官方网站 (Chzhan Syaogan, Ofitsial'nyi sait) [Elektronnyi resurs]: https://zhangxiaogang.artron.net/about (data obrashcheniya Ц 20.08.2019).
10.
李超(Li Chao).中国向来的灵魂ЧЧ20世纪中国戏曲人物画研究(Kitaiskaya dusha vsegda-issledovanie kitaiskoi opernoi zhivopisi v KhKh veke) //美术观察.Ц2019. Ц є 10.Ц P.54-59.
11.
周小仪 (Chzhou Syaoi). 谈У为艺术而艺术Ф口号的起源、发展和演变 (O proiskhozhdenii, razvitii i evolyutsii deviza ЂIskusstvo radi iskusstvaї) // 外国文学. Ц 2002.Ц є 2. Ц P. 47-54.
12.
李小山 (Li Syaoshan'). 从中国画到实验水墨. (Ot kitaiskoi zhivopisi do eksperimental'noi zhivopisi tu sh'yu) // 南京艺术学院学. Ц 2002. Ц є 2. Ц P. 53-56.
13.
鲁红梅 (Lu Khunmei). 中国当代政治波普美术研究 (Issledovanie iskusstva sovremennogo kitaiskogo politicheskogo pop-arta) // 中国知网:武汉理工大学博士论文,01,10,2016. P. 01-224.
14.
罗嗣 (Lo Yangan). 玩世现实主义形成过程研究述 (Nauchnyi doklad o protsesse formirovaniya tsinichnogo realizma) // 中国知网,江西师范大学,硕士论文,01,05,2013. P. 01-53.
15.
澎锋(Pen Fen) 从玩世现实主义到波普超现实主义 (Ot tsinichnogo realizma k syurrealizmu) // 艺术设计研究, 2009. - є 3.Ц P. 69-72.
16.
贾佳、姜金军,(Tszya Tszya, Tszyan Tszin'tszyun'). 外师造化、与主观意象,(Vneshnie formy i ob''ektivnye obrazy. )// 美术观察. 2018. - є 6. - R. 124-125.
17.
温鹏,(Ven Pen)中国画中天人合一的道家美学视角. (Tochka zreniya daosskoi estetiki edinstva cheloveka i prirody v kitaiskoi zhivopisi)// 大众文艺. Ц 2016. Ц є 14. Ц P. 61.
Link to this article

You can simply select and copy link from below text field.


Other our sites:
Official Website of NOTA BENE / Aurora Group s.r.o.
"History Illustrated" Website