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Man and Culture
Reference:
Batova M.A. —
Suggestive techniques of screenwriting: taboo and unpredictability
// Man and Culture.
– 2020. – № 1.
– P. 123 - 131.
DOI: 10.25136/2409-8744.2020.1.31706 URL: https://en.nbpublish.com/library_read_article.php?id=31706
Suggestive techniques of screenwriting: taboo and unpredictability
Batova Mariya Andreevna
Postgraduate student, the department of Film Dramaturgy, Gerasimov Institute of Cinematography f
119311, Russia, Moskva oblast', g. Moscow, ul. Vil'gel'ma Pika, 3
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mana93@mail.ru
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Другие публикации этого автора
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DOI: 10.25136/2409-8744.2020.1.31706
Review date:
12-12-2019
Publish date:
17-03-2020
Abstract. The subject of this research is the suggestive techniques of screenwriting on various level of perception of the movie, which engage the audience into cinematographic scene. The majority of movies reproduce the topic of social taboo, pulling upon the forbidden desires, and thus, instigating the audience. Such movies intend to distort the socially accepted moral and ethical restrictions, blurring the boundaries of the generally accepted standard. Alongside the violation of social taboo, one of the most important elements of drawing attention of the audience is unpredictability, used in dramaturgy to create an effect of incompleteness of story and the desire to reveal it. The research is based on the analytical and comparative methods, which allow analyzing particular effects intended by the author at the conceptual and dramaturgical level of the screen work. As a suggestive dramaturgical element, unpredictability can be reflected as a deferred event or a unpredictability that forms the screen image and character of the hero. Analysis is conducted on the movies “The Return” (2003), “Loveless” (2017) directed by Andrey Zvyagintsev; “Fight Club” (1999) directed by David Fincher; “The Departed” (2006) directed by Martin Scorsese; “Melancholia” (2011) directed by Lars von Trier. The research result consists in characterization of the modern trend of preserving unpredictability within a narrative structure of the movie to maintain non-triviality of the storyline.
Keywords:
hero, manipulation, mystery, dramaturgy, suggestive techniques, character, ban, cinema, taboo, plot
This article written in Russian. You can find full text of article in Russian
here
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