Статья 'Телевизионный прием исторической реконструкции и реалити-шоу в жанре документального телевизионного сериала как форма сохранения культурной памяти ' - журнал 'Человек и культура' - NotaBene.ru
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Television method of historical reconstruction and reality show in a documentary TV series genre as a form of preservation of cultural memory

Lysova Natalia Aleksandrovna

PhD in Cultural Studies

Docent, the department of Film Making and Television, Chelyabinsk State Institute of Culture

454087, Russia, Chelyabinskaya oblast', g. Chelyabinsk, ul. Ordzhonikidze, 36 a

natali02.1977@mail.ru
Другие публикации этого автора
 

 

DOI:

10.25136/2409-8744.2019.6.31657

Review date:

09-12-2019


Publish date:

22-12-2019


Abstract: In this day and age, the problems of preservation of cultural memory and heritage alongside actualization of cultural experience become more and more relevant. As a response to the trends of “obliviousness”, culture’s self-regulation mechanisms become mainstream, enhancing the value and semantic aspect of the traditions. The author operates the concept of “cultural memory”, interpreted following J. Assmann, as a particular form of revival and translation of cultural meanings and values of the past onto the present. The subject of this research is the currently popular artistic method of historical reconstruction with the elements of reality in a documentary TV series as one of the key forms of preservation of cultural memory. The article is based on the use of axiological and cultural-functional approaches that allow revealing the functional value of such TV projects for social and cultural processes in the life of modern society. The novelty consists in examination of the popular TV projects, structured in accordance with the genre of documentary TV series, employing the method of historical reconstruction and elements of reality as a form of preservation of cultural memory. The effectiveness of such projects is ensured by the specific synthesis on the one hand, and the inherent to modern mass visual culture penchant for the unique and fascinating images; while on the other hand – the use of such quality in formation of the historically authentic situations of real actions of participants of the projects, sincere experiencing of the clash of life pattern and peculiarities of relationship characteristic to the past. Thus, the content of cultural memory attains embodiment in the materials that possess visual effectiveness, and at the same time, translate authentic meanings of historical events relevant for preservation of cultural identity in the modern world.


Keywords: documentary television series, television industry, communicative representative practices, cultural heritage, cultural interpretation, collective oblivion, cultural memory, historical reconstruction, artistic reception, reality show
This article written in Russian. You can find full text of article in Russian here .

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