Ранние традиции игры на гуслях и современный статус инструмента.

Волков Дмитрий Валерьевич

doi:10.25136/2409-8744.2019.5.30847


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Man and Culture

Reference:

Volkov D. — Various traditions of playing gusli and current status of the instrument // Man and Culture. – 2019. – № 5. – P. 11 - 26. DOI: 10.25136/2409-8744.2019.5.30847 URL: https://en.nbpublish.com/library_read_article.php?id=30847

Various traditions of playing gusli and current status of the instrument

Volkov Dmitriy

Senior Educator, the department of Folk Instruments of Russia, Gnesins Russian Academy of Music, Honored Artist of the Mari El Republic; Artistic Director of “Kupina” Gusli Ensemble; Director of the Culture Center “Kupina” named after Lyubov Zhuk

121069, Russia, g. Moscow, ul. Povarskaya, 30-36

volkov@kupina.net

DOI:

10.25136/2409-8744.2019.5.30847

Review date:

20-09-2019

Publish date:

01-10-2019

Abstract.

This article covers the traditions of gusli performance since the VI century until present time. Leaning on the extant documents, the author analyzes the art of playing gusli during the different historical periods, as well as determines several inwardly homogenous traditions: epic, spiritual, buffoonish, and class of the XVII-XIX centuries. The subject of this research is the early traditions of the art of playing gusli. The object of this research is the survived archival documents and literary sources reciting about the art of playing gusli since the VI century until the beginning of the XX century. Particular attention is given to correlation between the traditions and the modern performance art of playing gusli. The main conclusion in the statement that playing gusli being the most ancient Russian folk art was popular among all social classes and greatly impacted the Russian pre-classical and classical music, contributing to the development of its epic beginning. The interest to playing gusli revived in the late XX century, when it became a part of the professional academic art. The scientific novelty consists in the fact that the author is first to systematically examine the connection of the art of playing gusli since its conception and early existence with the modern practice.
Keywords: Christianity, folklore, buffoons, gusli players, Russian ancient music, gusli playing, Russian epos, traditions, gusli, distinctiveness
This article written in Russian. You can find full text of article in Russian here .

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