—тать€ 'Ќекоторые аспекты танцевальной импровизации как основы креативности личности на примере испанского танца фламенко' - журнал '„еловек и культура' - NotaBene.ru
по
Journal Menu
> Issues > Rubrics > About journal > Authors > About the Journal > Requirements for publication > Editorial collegium > Editorial board > Peer-review process > Policy of publication. Aims & Scope. > Article retraction > Ethics > Online First Pre-Publication > Copyright & Licensing Policy > Digital archiving policy > Open Access Policy > Open access publishing costs > Article Identification Policy > Plagiarism check policy
Journals in science databases
About the Journal

MAIN PAGE > Back to contents
Man and Culture
Reference:

Certain aspects of dance improvisation as the basis of personal creativity on the example of the Spanish Flamenco dance

Kucherenko Anastasiya Leonidovna

PhD in Art History

Docent, the department of Cross-cultural Communications and Translation Studies, Vladivostok State University of Economics and Service

690106, Russia, Primorskii krai, g. Vladivostok, ul. Gogolya, 41, aud. 5517

anasta_leon@mail.ru

DOI:

10.25136/2409-8744.2019.1.28628

Review date:

11-01-2019


Publish date:

27-02-2019


Abstract: This article examines the improvisation in dance as the way to develop creative potential of dancer’s personality from the standpoint of practicing choreographer. It is noted that the approaches to improvisation in the performative types of art were use back in the ancient times. Currently, improvisation is becoming the foundation for certain dance disciplines. Improvisation in dance is associated with such prominent innovative choreographers as Isadora Duncan, Loie Fuller, Blanche Evan, Rudolf von Laban, and others, who saw dance improvisation as the way to discovering the unsconsious. It is underlined that improvisation is widely used in various dances, including folk and modern. The author presents a detailed analysis of improvisational beginning in the Spanish Flamenco dance, which is based mostly on improvising. According to the study conducted via overt observation and surveying of the Russian Flamenco performers, the readiness for improvising increases proportionally with age of the respondents. It is concluded that improvisation in dance is the criterion for performer’s professionalism, contributes to the development of his intellectual and creative abilities, as well as emotional empowerment. Performers themselves perceive improvisation as the psychological challenge they are able to take. The author also  discovers that the elements of dance improvisation can be implemented in educational sphere, for example, in teaching foreign languages.


Keywords: psychological challenge, modern dance, dance and movement therapy, foreign language teaching, creative abilities, spontaneous dance, Spanish flamenco dance, dance improvisation, personal creativity, psycho-emotional
This article written in Russian. You can find full text of article in Russian here .

References
1.
Andi, E.M. Flamenko: tainy zabytykh legend / E.M. Andi. Ц M.: Musalaev, 2003. Ц 196 s.
2.
Bykov, V.E. Teatr // Bol'shaya sovetskaya entsiklopediya v 30 t. / gl. red. A.M. Prokhorov. Ц 3-e izd. Ц M.: Sovetskaya entsiklopediya, 1976. Ц T. 25. Ц S. 332-339.
3.
Vernigora, O.N. Improvizatsiya v sisteme obucheniya sovremennym napravleniyam khoreografii: teoriya i istoriya / O.N. Vernigora, O.A. Vorob'eva // Mir nauki, kul'tury, obrazovaniya.-є1 (62), 2017. ЦS. 185-186.
4.
Gades, A. ЂMoskva zatmila vsekhї / A. Gades; besedovala Irina Bel'skaya // Muzykal'noe prosveshchenie: Mir gitary. Ц 2012. Ц є 3 (38). Ц S. 5-11.
5.
Girshon A. Improvizatsiya i khoreografiya. Zhit' tantsuya: tsentr integral'nogo tantsa [Elektronnyi resurs] Available at: http:// girshon.ru/article/improvizatsiya-i-horeografiya/
6.
Darenskaya, N. V. Improvizatsiya kak odna iz form razvitiya khoreograficheskogo iskusstva // Kul'turologiya i iskusstvovedenie: materialy II Mezhdunar. nauch. konf. (g. Kazan', mai 2016 g.). Ч Kazan': Buk, 2016. Ч S. 42-43. Ч URL https://moluch.ru/conf/artcult/archive/195/10435/ (data obrashcheniya: 13.06.2018).
7.
Zdor, S. Tochka navigatsii. Tekhnika improvizatsii v sovremennom tantse / Snezhana Zdor. Ц Krasnoyarsk: izd-vo Vainermana, 2010.Ц 117 s.
8.
Improvizatsiya // Bol'shaya sovetskaya entsiklopediya v 30 t. / gl. red. A.M. Prokhorov. Ц 3-e izd. Ц M.: Sovetskaya entsiklopediya, 1976. Ц T. 10. Ц S. 164.
9.
Karpenko V.I., Metodika tantseval'noi improvizatsii v sisteme nepreryvnogo obrazovaniya (bakalavriat-magistratura) / V.I. Karpenko, A.I. Chalova // Kul'turnaya zhizn' yuga Rossii. Ц 2018. Ц є1 (68). Ц S. 68-72.
10.
Kiseeva, E.V. Tanets postmodern kak muzykal'nyi fenomen: avtoref. dis. Е d-ra iskusstvovedeniya (17.00.02) / Kiseeva Elena Vasil'evna. Ц Rostov-na-Donu, 2016. Ц 42 s.
11.
Klaramunt, A.P. Iskusstvo tantsa flamenko / A.P. Klaramunt, F. Al'baisin // Predislovie N. Vankhanena. Ц M.: Iskusstvo, 1984. Ц 183 s.
12.
Kozlov, V.V. Integrativnaya tantseval'no-dvigatel'naya terapiya: monografiya / V.V. Kozlov, A.E. Girshon, N.I. Veremeenko. Ц M., 2005. Ц 286 s.
13.
Komlev, N.G Slovar' inostrannykh slov / N.G. Komlev. Ц M.: Eksmo, 2006. Ц 672 s.
14.
Kucherenko, A.L. Reprezentatsiya fenomena Ђduendeї ispanskogo tantsa flamenko v sovremennoi rossiiskoi kul'ture: avtoref. disЕ kand. iskusstv: 24.00.01 / A.L. Kucherenko. Ц Vladivostok, 2018. Ц 262 s.
15.
Li, E.Chzhin Tanets kak obrazno-plasticheskoe voploshchenie natsional'nogo kharaktera: na primere russkoi i koreiskoi kul'tur: avtoref. dis. Е kand. kandidata kul'turologii (24.00.01)/ Li En Chzhin. Ц Sankt-Peterburg, 2004. Ц 21 s.
16.
Matushkina, M.V. Tantseval'naya improvizatsiya: istoki i istoriya razvitiya v nachale XX veka [Elektronnyi resurs] / M.V. Matushkina // Teoriya i praktika obshchestv. razvitiya. Elektron. zhurnal. Ц 2014. Ц є 9. Ц Rezhim dostupa: http://teoria-practica.ru/rus/files/arhiv_zhurnala/2014/9/kulturologiya/matushkina.pdf
17.
Novikova, E.B. Improvizatsiya: sushchnost' i filosofsko-antropologicheskie smysly: avtoref. dis. Е kand. filosof. nauk: 09.00.13 / Novikova Ekaterina Borisovna. Ц Omsk, 2012. Ц 19 s.
18.
Khaleo (jaleo) vo flamenko [Elektronnyi resurs] // Dlya uvlechennykh flamenko. Ц Rezhim dostupa: http://www.shulgina.ru/articles/jaleo_flamenco.htm.
19.
Khar'kin, V.N. Pedagogicheskie improvizatsii v professional'noi deyatel'nosti uchitelya: dis. Е doktora ped. nauk: 13.00.00 / Khar'kin Valerii Nikolaevich. Ц M., 1992. Ц 240 s.
20.
Khristolyubov V.N. Kontaktnaya improvizatsiya, kak forma sovremennogo tantsa / V. N. Khristolyubov // Innovatsionnye mekhanizmy resheniya problem nauchnogo razvitiya: sb. statei Mezhdunarodnoi nauchno-prakticheskoi konf. (g. Perm', oktyabr', 2018). Ц Ufa: OOO ЂAeternaї, 2018. Ц S.161-164.
21.
Shcherbakova, T.N. Improvizatsiya kak komponent tvorchestva sovremennogo pedagoga / T.N. Shcherbakova // Pedagogicheskoe masterstvo: mat. IV mezhdunar. nauch. konf. (g. Moskva, fevral' 2014 g.). Ц M.: Buki-Vedi, 2014. Ц S. 13-16.
22.
Cratty, Bryant V. Intelligence in Action // Physical Activities for enhancing intellectual abilities. Ц N.J.: Englawood Cliffs, 1973.-P.68-71
23.
Duncan, I. My Life / I. Dunkan. Ц London, 1966. Ц 253 p.
24.
Goulet, I. Learning to Become Dancing Musicians: Flamenco Dancers Going Global / I. Goulet // A Thesis in the Department of Sociology and Anthropology, Soncordia University. Ц Montreal, Canada, 2007. Ц 126 p.
25.
Laban, R. von. Der Moderne Ausdruckstanz in der Erziehung. Eine Einführung in die kreative tänzerische Bewegung als Mittel zur Entfaltung der Persönlichkeit / R. von Laban. Ц Wilhelmshaven, 2001. Ц 160 p.
Link to this article

You can simply select and copy link from below text field.


Other our sites:
Official Website of NOTA BENE / Aurora Group s.r.o.
"History Illustrated" Website