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Man and Culture
Reference:

Interpretations of the sources of establishment of “genuine” landscape (chingyong sansuhwa) in South Korean art history

Khokhlova Elena Anatolievna

Educator, National Research University “Higher School of Economics”

119017, Russia, Moskovskaya oblast', g. Moscow, ul. Malaya Ordynka, 17, str. 1, kab. 207

lena.khokhlova.@gmail.com

DOI:

10.25136/2409-8744.2018.6.28547

Review date:

27-12-2018


Publish date:

03-01-2019


Abstract.

The subject of this research is the Korean “genuine” landscapes (chingyong sansuhwa) by the painter Kyomjae Jeong Seon (1676-1759). The object of this research is the proposed by the South Korean art historians theories of what became a source of formation of this trend of landscape painting. The author reviews the works dedicated to the establishment of chingyong sansuhwa, and analyzes the processes that could affect the desire of the painter Kyomjae Jeong Seon to depict the Korean nature. This article is first in the national and foreign science to examine the existing in the South Korean art history discussion on the causes of emergence of chingyong sansuhwa by Jeong Seon. For classification of the suggested by the art historians versions, the author applied the comparative method and the method of critical analysis. The conclusion was made that the South Korean experts express versatile opinions what has become the cause of establishment of landscape chingyong sansuhwa; while the representatives of the “theory of internal causes” anchored by Choe Eun-sun insist that chingyong sansuhwa is the phenomenon of local origin, formed as a result of development of the Korean Neo-Confucianism that contributes to formation of the “national” mentality among the elites and gain of confidence in the distinctness of their native culture. The supporters of the “theory of external causes” are willing to believe that the “genuine” landscapes have emerged in the process of reconsideration of the new philosophical and landscaping practices of the Chinese Dynasties Ming and Qing. South Korean researchers differently assess the level of correlation between the Chinese and Korean landscape; however, the representatives of the “theory of internal causes” see the belittling of the Chinese influence.   

Keywords: sirhak, Choson, Korean paintings, Korean art, Korean landscape paintings, Kyomjae Jeong Seon, Chingyong sansuhwa, Neo-Confucianism, Republic of Korea, Chinese paintings
This article written in Russian. You can find full text of article in Russian here .

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