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Man and Culture
Reference:

Modern stage circus production in the context of synthesis of various forms of spectator entertainment

Solntsev Il'ya Sergeevich

Post-graduate student, the department of Variety Arts, Russian Institute of Theatre Arts - GITIS

125009, Russia, g. Moscow, ul. Malyi Kislovskii Per., 6

solncev-ilya@inbox.ru

DOI:

10.25136/2409-8744.2019.1.28499

Review date:

24-12-2018


Publish date:

27-02-2019


Abstract: The subject of this art study is the modern stage circus production viewed as a mechanism of the development of synthesis of spectator entertainment. The scientific interest is also aimed at the characteristics of work of the stage director, which is based on rearrangement of the creative experience, its recombination in relation with the principles of the successiveness of forms. The author analyzes the specificity of circus production, which is in integration of the newest approaches of performance organization on the arena with the classical types of circus art. Methodological foundation contains the general principles of scientific knowledge that correspond with the art and culturological discourses. The scientific novelty consists in the comprehensive theoretical conceptualization of the establishment and pattern of the development of stage circus production in art that reflects the centuries-old ethnocultural and artistic experience, which makes it unique. The author also suggests a new outlook upon the stylistics of circus art and examples of circus production.


Keywords: techniques of directing, circus staging, entertainment-mass art, creativity, staged circus direction, circus art, public, attraction, artist, synthesis of genres
This article written in Russian. You can find full text of article in Russian here .

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