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Man and Culture
Reference:

Representation of the heritage of proto-design of costumes of indigenous peoples of the Russian Far East in information-creative space of Pacific Rim: glocalizational context
Danilova Ol'ga Nikolaevna

PhD in Technical Science

Docent, the department of Design and Technologies, Vladivostok State University of Economics and Service

690014, Russia, Primorskii krai, g. Vladivostok, ul. Gogolya, 41

odanilova@inbox.ru
Kayak Anneta Borisovna

Doctor of Cultural Studies

Professor, the department of Art History and Culture, G. I. Nevelskoi Maritime State University

690006, Russia, Primorskii krai, g. Vladivostok, ul. Svetlanskaya, 125

anneta.kayak@yandex.ru

Abstract.

 The subject of this research is the transformation process of the heritage of proto-design of costumes of indigenous peoples of the Russian Far East in the conditions of globalization, which required examination of the current local differences of the culture of indigenous peoples, their ethno-national traditions, genesis and conditions of preservation of the mechanisms of translation of ethnocultural heritage from generation to generation. Therefore, the author uses the term of “glocalization” that allows in contrast with the macro-scale globalizational dynamics of events, study the problematic of Pacific Rim and specificity of sociocultural processes taking place within this regional space at the micro-level. Methodological foundations is the concept of cross-cultural and cross-civilizational interaction, as well as a number of analytical instruments, including the concept of “information and creative space”, which in the course of this researched proved its theoretical and applied purposefulness and universality. The use of this concept contributed to the efficient carrying out of comparativist analysis of the problematic of inheriting the proto-design of costume of indigenous peoples. Within its framework, the author was able to determine the sociocultural trends and mechanism of inheriting the principles of formation of the objects of costume’s proto-design in the area of ethno- and eco- design of a modern costume. This defines the innovative importance of research, which also demonstrated the instrumentality and optimal theoretical-methodological significance of sincresis of the indicated methodological patterns.

Keywords: patterns of costume shaping, information-creative space, syncrysis, glocalization, ethno- and eco-design, protodesign of a suit, mechanisms of inheritance, socio-cultural heritage, heritage transformation, ethnonational culture

DOI:

10.25136/2409-8744.2018.4.26819

Article was received:

10-07-2018


Review date:

10-07-2018


Publish date:

30-08-2018


This article written in Russian. You can find full text of article in Russian here .

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