Воплощение идей «скандинавского мифа» в киновселенной «Песнь льда и пламени»

Паулюс Пауль Йозеф

doi:10.25136/2409-8744.2018.4.26598


	Journal Menu > Issues > Rubrics > About journal > Authors > About the Journal > Requirements for publication > Editorial collegium > Editorial board > Peer-review process > Peer-review in 24 hours: How do we do it? > Policy of publication. Aims & Scope. > Article retraction > Ethics > Copyright & Licensing Policy > Publication in 72 hours: How do we do it? > Digital archiving policy > Open Access Policy > Open access publishing costs > Article Identification Policy > Plagiarism check policy


	Journals in science databases


	About the Journal

Публикация за 72 часа - теперь это реальность!

При необходимости издательство предоставляет авторам услугу сверхсрочной полноценной публикации. Уже через 72 часа статья появляется в числе опубликованных на сайте издательства с DOI и номерами страниц.

По первому требованию предоставляем все подтверждающие публикацию документы!

MAIN PAGE > Back to contents

Man and Culture

Reference:

Paulyus P.I. — Realization of the ideas of “Scandinavian myth” in cinematic universe “A Song of Ice and Fire” // Man and Culture. – 2018. – № 4. – P. 31 - 45. DOI: 10.25136/2409-8744.2018.4.26598 URL: https://en.nbpublish.com/library_read_article.php?id=26598

Realization of the ideas of “Scandinavian myth” in cinematic universe “A Song of Ice and Fire”

Paulyus Paul' Iozef

Post-graduate student, the department of Theory and History of Culture, Institute of Film and Television

123007, Russia, Moskovskaya oblast', g. Moscow, ul. Khoroshevskoe Shosse, 32A

smamysmol@yandex.ru

Другие публикации этого автора

DOI:

10.25136/2409-8744.2018.4.26598

Review date:

14-06-2018

Publish date:

30-08-2018

Abstract.

The subject of this research is the use of archetypical constructs within the framework of cinematic universe “The Game of Thrones”. The object is the phenomenon of the modern audiovisual arts. The key aspect of the topic is the analysis of application of the phenomenon of “Scandinavian myth” in modern film industry. This phenomenon is interpreted as a factor of transformation of mass consciousness that illustrating a set of “social myths” of globalization era, which is traced in a broad range of movies. The presented features are generalized on the example of created from the novels by G. Martin cinematic universe “A Song of Ice and Fire”, which in is named “The Game of Thrones” film’s release and is one of the brightest examples of “new mythology” in mass consciousness. The author makes the following conclusions: one of the development trends of film industry is the active use of cliché complex, which forms a special cultural reality interpreted as a Scandinavian myth, based on the fatalistic providence; using the phenomenon of time and space manipulation, the hi-tech types of art form the new models of “intellectual field”, which disrupt the outdated information and semantic structures of cultural space. This leads to implementation of the principle of balanced unity, referred to the collective unconscious. Thus, these models develop the concepts of mythology of art, its interrelation with society, which is expressed in the effect of satisfaction of the demands of gross audience.

Keywords: fatalism, fantasy, middle Ages, archetypal constructions, providentialism, Scandinavian myth, cultural landscape, instrumentalization, Game of thrones, Westeros
This article written in Russian. You can find full text of article in Russian here .

References

1.	Arzumanyan S.N. Fentezi i literaturnaya skazka // Uchenye zapiski Instituta UNIK. Vyp. 3. M., 2012. S. 15–22.
2.	Bart R. Mifologii/ per. s fr., vstup. st. i komment. S.N.Zenkina. – M.: Izd-vo im. Sabashnikovykh, 2000. 320s.
3.	Bart R. Mif segodnya// Izbrannye raboty: Semiotika. Poetika. M.: Progress; Univers, 1994. S. 72—130.
4.	Beovul'f// Biblioteka vsemirnoi litera¬tury. M., 1975. – Seriya 1, Tom 9.S. 27-180.
5.	Borisov S.B., Nikul'shin V.A. Vykhod proglochennogo naruzhu kak arkhetip kul'tury // Arkhetip. 1996: kul'turologicheskii al'manakh. – Shadrinsk, Izd–vo Shadrinskogo pedinstituta, 1996 – S. 44–47;
6.	Borisov S.B. Deva kak arkhetip evropeiskoi kul'tury // Arkhetip. 1996: kul'turologicheskii al'manakh. – Shadrinsk: Izd–vo Shadrinskogo pedinstituta, 1996. S.4–19;
7.	Borisov S.B. Chelovek. Tekst. Kul'tura: ocherki po kul'turnoi antropologii i istorii dukhovnoi kul'tury. Shadrinsk: Izd–vo Shadrinskogo pedinstituta, 2000. 51s.
8.	Braun, E. D. Voiny Roz: Istoriya. Mifologiya. Istoriografiya. M. ; SPb. : Tsentr gumanitarnykh initsiativ, 2016. 208 s.
9.	Budanova V.P. Varvarskii mir epokhi Velikogo pereseleniya narodov. M., «Nauka», 2000. 544s.
10.	Gurevich A.Ya. Dialektika sud'by u germantsev i drevnikh skandinavov// Ponyatie sud'by v kontekste raznykh kul'tur. M.: Nauka. I polugodie 1994. S.148-157.
11.	Gurevich A. Ya. Edda i saga. M.: Nauka, 1979.192s.
12.	Dzholin, D. Magiya i voina [Tekst] //https://www.film.ru/articles/magiya i voyna (data obrashcheniya: 13.08.2012).
13.	Zima prodolzhit nastupat' : HBO prodlil Igru Prestolov na 2-i sezon //http://scifi-tv.ru/news/zima_prodolzhit_nastupat_hbo_prodlil_igru_prestolov_na_2-j_sezon.php (data obrashcheniya: 20.04.2011).
14.	Zlotnikova T. S., Erokhina T. I. Muzhskoi arkhetip v igrovom pole massovoi kul'tury // Voprosy kul'turologii.M.,2014, №11.S11 –18.
15.	Zubova, N. Yu. Khudozhestvennoe modelirovanie global'nogo miroustroistva cherez refleksiyu Srednevekov'ya v romanakh Dzh. R. R. Martina iz tsikla «Pesn' l'da i plameni»//http: // www. fgp.msu. Ru / content/category/14/51/149/ (data obrashcheniya: 13.03.2018).
16.	Zubova, N. Yu. Granitsa kak element kartiny mira: na primere analiza khudozhestvennoi modeli mira v romanakh tsikla Dzh. R. R. Martina «Pesn' l'da i plameni» // Vestnik Chelyabinskogo gosudarstvennogo universiteta. 2012. № 23 (277). S. 48–52.
17.	Kun N.A. Legendy i mify Drevnei Gretsii. M., 1954. 445s.
18.	Levi-Bryul' L. Sverkh''estestvennoe v pervobytnom myshlenii. M., 1994.608s.
19.	Levi-Stross K. Pervobytnoe myshlenie.M.,1994.384s.
20.	Lipovetskii M. Utopiya svobodnoi marionetki, ili kak sdelan arkhetip// Novoe literaturnoe obozrenie. 2003. № 60, S.252-268.
21.	Losev A.F. Mif. Chislo. Sushchnost'. M.1994. 912 s.
22.	Losev A.F. Filosofiya imeni. M., 1927, 205c.
23.	Lotman Yu.M. Vnutri myslyashchikh mirov: Chelovek – Tekst – Semiosfera – Istoriya/ Predisl. V.V. Ivanova; Tartus. un-t. – M.: Yaz. rus. kul'tury, 1998.447c.
24.	Makovskii M. M. Yazyk – mif – kul'tura: simvoly zhizni i zhizn' simvolov. Izd. 2-e. M.,2014.320c.
25.	Martin Dzh. R. R.: «Inogda ruka ne podnimaetsya ubit' kogo-to» : interv'yu// https: //altapress. Ru /afisha /story /dzhordzh_martin_inogda_ruka_ne_podnimaetsya_ubit_kogo_to_972 (data obrashcheniya: 14.04.2014).
26.	Meletinskii E.M. Analiticheskaya psikhologiya i problema proiskhozhdeniya arkhetipicheskikh syuzhetov// Voprosy filosofii. 1991. № 10.C.41-47.
27.	Meletinskii E. M., Poetika mifa, M., 1976.403c.
28.	Meletinskii E.M. Istoriya vsemirnoi literatury. T.2.Islandskie sagi. M: AN SSSR,1984.C.476-478.
29.	Norvich, Dzh. Istoriya Anglii i shekspirovskie koroli. M. : Astrel', 2012. 416 s.
30.	Pesn' o Nibelungakh// Biblioteka vsemir¬noi literatury. M., 1975.Seriya 1, T. 9.S. 357-628.
31.	Pupysheva I. N., Pavlovskaya O.V., Pavlovskii A.I. Populyarnost' Dzh. Martina v sovremennoi mediinoi situatsii: Igra prestolov kak igra ozhidaniyami// Novyi filologicheskii vestnik. 2017. № 3 (42). S. 228–240.
32.	Samarina M.S. Simvolika volka v kul'ture: ot Kapitoliiskoi volchitsy do volka Frantsiska Assizskogo// Vestnik Leningradskogo Gosudarstvennogo Universiteta im A.S.Pushkina. T.2 №4, SPb., 2012, S.216-223.
33.	Starshaya Edda// Biblioteka vsemirnoi li¬teratury. M., 1975.Seriya 1, T. 9.S. 181-356.
34.	Strinngol'm A. Pokhody vikingov. M.: OOO "Izdatel'stvo AST, 2002.736s.
35.	Tolkin, Dzh. O volshebnykh skazkakh// Tolkin Dzh. Priklyucheniya Toma Bambadila i drugie stikhi iz Aloi Knigi: Stikhi i povesti / per. s angl. M., 1992. 256 s.
36.	Toporova T.V. Ob arkhetipe vody v drevnegermanskoi kosmogonii // Voprosy yazykoznaniya. 1996. № 6. S.91-99.
37.	Toporova T.V. Semanticheskaya struktura drevnegermanskoi modeli mira. M., 1994.192s.
38.	Ustinov, V. G. Voiny Roz. Iorki protiv Lankasterov. M. : Veche, 2012. 432 s.
39.	Frezer Dzh. Dzh. Zolotaya vetv': Issledovanie magii i religii. M.,1986.703c.
40.	Fukuyama F. Konets istorii?// Voprosy filosofii. 1990. № 3. S. 134-148.
41.	Chernyavskaya Yu.V. Identichnost' na fone mifa//Antropologicheskii forum. №8. SPb., 2008, S.198-227.
42.	Chernyavskaya Yu.V. Trikster ili puteshestvie v khaos// Chelovek. 2004. № 3.C.37-52.
43.	Khlevov A.A. Predvestniki vikingov. Severnaya Evropa v I-VIII vekakh. SPb.: «Evraziya», 2002.242c.
44.	Acuna, K. George R. R. Martin: No One Ever Gets the Most Iconic Part of ‘Game of Thrones’ Right// http: //www.businessinsider.com/george-rr-martin-no-one-gets-game-of-thrones-iron-throne-right-2014-10 (data obrashcheniya: 28.10.2014)
45.	Briers F. Warrior Philosophy in Game of Thrones. Warriors of Love Publishing, 2012. 192 p.
46.	Frankel V. E. Winning the Game of Thrones: The Host of Characters and their Agendas. Smashwords Edition, 2013. 202 p.
47.	Frankel V. E. Winter is Coming: Symbols and Hidden Meanings in A Game of Thrones. Thought Catalog, 2013. 128 p.
48.	Howden M. Game of Thrones A-Z. John Blake Publishing Ltd, 2012. 266 p.
49.	Larrington C. Winter is Coming: The Medieval World of Game of Thrones. I. B. Tauris, 2016. 288 p.
50.	Melnikova E. How Christian Were Viking Christians?//Ruthenica, Suppl. 4, K., 2011, P. 90-107.
51.	Skeat W.W. An Etimological Dictionary of the English Language. Oxford: Clarendon Press, 1956. 780p.
52.	Spiegel M. Ancient Germanic warriors: warrior styles from Trayan’s column to Icelandic sagas. Routledge, 2004.313p.
53.	Storck T. Von Game of Thrones bis The Walking Dead: Interpretation von Kultur. 2017. 389 p.
54.	Turville-Petre G. Myth and Religion of the North, London, Weidenfeld & Nicolson, 1989.230p.
55.	Wiley-Blackwell. Game of Thrones versus History: Written in Blood. — John Wiley & Sons, 2017. 312 p.

Link to this article

You can simply select and copy link from below text field.