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Man and Culture
Reference:

To the question of portrait concept of K. A. Somov of the mid 1890Тs: portrait of N. F. Auber

Matyunina Dar'ya Stanislavovna

PhD in Art History

Docent, the Institute of Culture and Art, the department of Painting and Composition  

121351, Russia, g. Moscow, ul. Kuntsevskaya, 8 korpus 1

matdarya@ya.ru

DOI:

10.25136/2409-8744.2018.1.25685

Review date:

11-03-2018


Publish date:

19-03-2018


Abstract.

The subject of this article is the picturesque portrait of Natalia Frantsevna Auber by Konstantin Andreevich Somov that refers to the early period of his works – mid of 1890’s. The portrait is viewed in the context of the scenic pursuits of the painter of the prior to “World of Art” stage. The scenic manner alongside the portrait concept are also analyzed with consideration of the impact upon the works of K. A. Somov of the relevant trends of Russian and European portrait paining of the turn of the XIX-XX centuries: traditions of the Russian realistic portrait, European and Scandinavian lines of impressionism and salon. The author applies the method of comparative art analysis, viewing the portrait of N. F. Auber made by K. A. Somov in contrast with other works of the painter and his contemporaries. A particularly valuable contribution into the research of Somov’s portrait concept is defined by the analysis of the new trends emerging in the portrait of N. F. Auber: compositional structure, decorativeness of painting, specificity of spatial structure, and color specificities. All of the listed features are emphasized by the author of the article as the key for establishment of iconography of Somov’s portrait of the “mature” period.

Keywords: Natalia Auber, period, painting, concept, World of Art, portrait, Konstantin Somov, Valentin Serov, Anders Zorn, Ilya Repin
This article written in Russian. You can find full text of article in Russian here .

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