Статья 'Логика оформления цветовых образов' - журнал 'Человек и культура' - NotaBene.ru
Journal Menu
> Issues > Rubrics > About journal > Authors > About the Journal > Requirements for publication > Editorial collegium > Editorial board > Peer-review process > Policy of publication. Aims & Scope. > Article retraction > Ethics > Online First Pre-Publication > Copyright & Licensing Policy > Digital archiving policy > Open Access Policy > Open access publishing costs > Article Identification Policy > Plagiarism check policy
Journals in science databases
About the Journal

MAIN PAGE > Back to contents
Man and Culture

Colour Images Arrangement Logic

Serov Nikolai Viktorovich

Doctor of Cultural Studies

Professor of the Department of Philosophy and Cultural Research at St. Petersburg State Institute of Psychology and Social Work


Review date:


Publish date:


Abstract: The purpose of the article is to show the difference between the two thinking strategies in art and culture. Chromatic methodology was used to perform the semantic marking of color and picture based on well known patterns of bilateral cogitation. The research allowed semiotic characteristics that described peculiarities of everyday, logical and creative thinking. The results of the research can be used in the theory of culture, creativity, fashion and art history practice. 

Keywords: cogitation semiotics, color semiotics, creativity, theory of fashion, color, paint, shape, image, term
This article written in Russian. You can find full text of article in Russian here .

Anan'ev B. G. Chelovek kak predmet poznaniya. L.: LGU, 1969. 340 s.
Arnkheim R. Iskusstvo i vizual'noe vospriyatie. M.: Progress, 1974. 392 s.
Volkov N.N. Tsvet v zhivopisi. M.: Iskusstvo, 1985. 320 s.
Galeev B.M. Iskusstvo kosmicheskogo veka. Kazan': FEN, 2002. 572 s.
Losev A.F. Kriticheskie zamechaniya k dialogu. // Platon. Soch.v 3 tomakh, t.2. M.: Mysl', 1970, s.488-497.
Mertsalova M.N. Kostyum raznykh vremen i narodov. Entsiklopediya v 4-kh tomakh. T.3-4. (Komment. k il.: Aleksandr Vasil'ev). M.: Akademiya Mody, SPb.: Chart Pilot, 2001. – 576 s.
Polak F. Obraz budushchego. / Mir nashego zavtra: Antologiya sovremennoi klassicheskoi prognostiki. M.: Eksmo, 2003. 512 s.
Shelling F. Filosofiya iskusstva. M.: Mysl', 1966. 496 s.
Bardi A., Schwartz Sh. H. Values and Behavior: Strength and Structure of Relations. // Personality and Social Psychology Bulletin, 2003, Vol. 29, No. 10, p.1207-1220
Berlin B., Kay P. Basic color terms: their universality and evolution. Berkeley: UCP, 1969. 110 p.
Blanc C. Grammaire des arts du dessin. P., 1867, p.22. Cit. a: [Gage J. Color and meaning, p.35].
Catalogue d'exposition: Rubens contre Poussin. La querelle du coloris dans la peinture française à la fin du XVIIe siècle. Gent: Éditions Ludion, 2004. 196 r.
Gage J. Colour and meaning. Art, Science and Symbolism. L.: Thames & Hudson, 2000. 320 p.
Gage J. Colour and culture. Practice and meaning from Antiquity to Abstraction. L.: Thames & Hudson, 2005. 338 p
Ginsburgh V., Weyers S. De Piles, Drawing and Color An Essay in Quantitative Art History. // Artibus et Historiae, 2002, V. 45, p.101-114.
Jung C.G. The Red Book. Liber Novus. (Ed. Shamdasani S.) N.Y., L.: W.W.Norton & Co., 2009. 404 p
Matisse H. Ecrits et propos sur l’art. P.: Hermann, 1972. 364 p.
O'Connor K.P., Blowers G.H. Cognitive style, set and sorting strategy.// British J. Psychology, 1980, V.71, p.17-22.
Oken L., Physiophilosophy, 1810, Engl.trans.1847, 78, §378. Cit. a: [Gage J. Color and meaning. p. 297].
Steffens H. Was Ich Erlebte. 1841. Cit. a: [Gage J. Color and meaning. p. 175].
Teyssèdre B. Roger de Piles et les débats sur le coloris au siècle de Louis XIV. Paris: La Bibliothèque des Arts, 1957. 630 p.
Wittgenstein L. Remarks on colour. / Ed. G. E. M. Anscombe. Berkeley & Los Angeles: University of California Press, 1977. 128 r
Link to this article

You can simply select and copy link from below text field.

Other our sites:
Official Website of NOTA BENE / Aurora Group s.r.o.
"History Illustrated" Website