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Man and Culture
Reference:
Monin M.A. —
Succession and polemics of the meaning (“Fanny and Alexander” by Ingmar Bergman and “The Sacrifice” by Andrei Tarkovsky. Experience of comparing)
// Man and Culture.
– 2017. – № 3.
– P. 23 - 42.
DOI: 10.25136/2409-8744.2017.3.23048 URL: https://en.nbpublish.com/library_read_article.php?id=23048
Succession and polemics of the meaning (“Fanny and Alexander” by Ingmar Bergman and “The Sacrifice” by Andrei Tarkovsky. Experience of comparing)
Monin Maxim Aleksandrovich
PhD in Philosophy
Docent, the department of Culturology, St. Tikhon's Orthodox University
109651, Russia, Moscow, Ilovayskaya Street 4, building #2, office #512
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monin.maxim@gmail.com
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DOI: 10.25136/2409-8744.2017.3.23048
Review date:
18-05-2017
Publish date:
24-07-2017
Abstract.
The topic of this article is the movies “Fanny and Alexander” Ingmar Bergman and “The Sacrifice” by Andrei Tarkovsky. The subject of this research is their conceptual and structural interrelation. The author questions whether it is possible to view each movie as a so-called addendum with regards to another. The article thoroughly analyzes the temporal structure of the aforementioned movies, similarity and difference of their inner spaces, distribution of characters, and their meaning. The author also compares the circumstances under which the movies have been created. The article applies the method of phenomenological analysis (emphasizing the fact that a movie is given to the audience as a single temporal reality), as well as method of structural analysis (that views the relationship between characters as a certain landmark structure, which delivers a particular message to a spectator). A conclusion is made that both movies have the obvious similar features (beginning with the circumstances of their creation), as well as clear and less clear discrepancies. At the same time, it does not mean that “The Sacrifice” that came out four years later than “Fanny and Alexander” is a somewhat secondary or derivative with regard to it. It rather manifests as a two-sided latent discourse of the authors, their existential positions, and cultural traditions, into which both of them are inscribed in one or another way.
Keywords:
Sacrifice , Patricide, Father-son relationship, Antithesis, Catastrophe, Home, Family, Ordinary world, Homogeneity/heterogeneity of space, Cinematographic space/time
This article written in Russian. You can find full text of article in Russian
here
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