Статья 'Зарождение новых форм песенного репертуара в Советской России (20-30-е годы ХХ века)' - журнал 'Человек и культура' - NotaBene.ru
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Man and Culture
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Conception of the new forms of song repertoire in Soviet Russia (1920’s – 1930’s)

Burmatov Maksim Andreevich

post-graduate student of Nizhny Novgorod State Glinka Conservatoire, Master of Vocal Art

603005, Russia, Nizhegorodskaya oblast', g. Nizhnii Novgorod, ul. Piskunova, 40, kab. 420

maksim_burmatov@bk.ru
Другие публикации этого автора
 

 

DOI:

10.7256/2409-8744.2017.1.22039

Review date:

16-02-2017


Publish date:

03-04-2017


Abstract.

The object of this research is the Soviet song of the 1920’s – 1930’s as a genre stylistic phenomenon. The subject of this research is examination of the issues of history of development, content structure, and peculiarities of the song repertoire during these years. The shift in sociopolitical formation in Russia caused by the revolutionary events of October 1917 that drastically changed the national cultural identity, including the song art. The article makes an attempt to trace the performing traditions of that period (folk song, urban folklore, mass song). Using the method of analysis, the author underlines the presence of crisis in a number of the traditional song genres and development of the new forms of song repertoire on the background. The article points at certain peculiarities common during this timeframe to the Russian vocal art. Accent is made on the development of lyrical intonation in a song, which encouraged the popularization of musical compositions. The author highlights the role of jazz music culture as an accelerator in development of the new features in stage music art.

Keywords: art history, culture and art, music history, soviet stage, musical art, tea-jazz, music cinema, amateur folklore, popular song, Soviet song
This article written in Russian. You can find full text of article in Russian here .

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