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The art of cinematography and cinema museums: world practice and contemporary problems

Bykova Natalia Ivanovna

PhD in Pedagogy

Docent, the department of Directing and Choreography, F. M. Dostoevskiy Omsk State University

644116, Russia, g. Omsk, ul. Krasnyi Put', 36, of. 313

bukovani@mail.ru
Другие публикации этого автора
 

 

DOI:

10.7256/2409-8744.2016.6.21255

Review date:

29-11-2016


Publish date:

19-01-2017


Abstract: The subject of this research is the cinema museums, while the object is the art of cinematography. The author examines the global experience in the area of creation of cinema museums, as well as studies the history of Russian Cinema Museum and prospects of its further development. Special attention is given to the modern status of cinema museums and issues associated with determination of their functions, which at the present stage remain unambiguous. The perception of the world experience in regards to this question is necessary for resolving the problem of creation and functionality of the cinema museum in Russia. The main methods of this study is the comparative-historical and analytical. The work analyzes the key concepts of outlook upon the cinema museums, as well as their sociocultural importance. The scientific novelty lies in the fact that the cultural phenomenon of the museum of cinematography art requires thorough examination. Cinema museums are located in multiple countries of the world, however, the question of what does the notion of cinema museum imply, is rather complicated due to the syncreticity of the screen arts.


Keywords: multimedia, art of cinema, screen art, cultural heritage, cinematography, cinema museum, photography, syncretism, Museum of photography, exposition
This article written in Russian. You can find full text of article in Russian here .

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