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The evolution of characters of the mainstream cinema of the Unites States and Soviet Union/Russia
Zhemchugova Ol'ga
Post-graduate student, the department of World Literature and Culture, Moscow State Institute of International Relations under the Ministry of Foreign Affairs of Russia; Reporter, The Interstate Television and Radio Company “Mir”
119454, Russia, Moscow, Prospekt Vernadskogo 76
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aagemchugov@gmail.com
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Другие публикации этого автора
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Abstract. This research examines the mainstream cinema of the United States and Soviet Union. Despite the ideological polarity, the culture of these countries was interconnected in multiple way; it incorporated similar tools for expansion of the important symbols, as well as expression of public moods. In the preceding war period, the movie characters of the two countries were rather alike – they lived within the space of the perfect dream that corresponds with the relevant values of this era. However, in the post-War period, the evolution of the heroes of mainstream cinema of the United States and Soviet Union started has taken different courses. The main result of the conducted research consists in determination of regularities in development of the images of protagonists in the mainstream cinema of the United States and Soviet Union/Russia. It is demonstrated that in the US movies the priority in such images belongs to the individual as such, while in the Russian cinematographer – to the interrelation between individual and society. This article illustrates the reason why such pattern was taking place.
Keywords:
protagonist, narrative, live action, mass culture, values, cinematographic discourse, hero, superhero, symbol, image
DOI: 10.7256/2409-8744.2016.5.20781
Article was received:
24-10-2016
Review date:
21-10-2016
Publish date:
02-11-2016
This article written in Russian. You can find full text of article in Russian
here
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