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Reference:

The third phase of engineer style decadence

Aleksandrov Nikolai Nikolaevich

Doctor of Philosophy

Professor, the department of Fashion Industry and Creative Technologies, “Institute of Food Technologies and Design” – branch of Nizhny Novgorod State University of Engineering and Economics

603041, Russia, Nizhny Novgorod, Sputnika Street 24, office #A

alex235532@mail.ru

 

 

DOI:

10.7256/2409-8744.2016.6.19174

Review date:

15-05-2016


Publish date:

19-01-2017


Abstract:  
The subject of this research is the development of design over the period of 1942 – 1960’s. This period is not sufficiently studies within the history of design. The difficulty of coverage of the regularities of this stage consist in the fact that a part of it falls on the period of the World War. Considering such specificity, the author forms an image of development of the European and American design. The European line of design originate the new style, while the American acquires them with a delay. This period in the history of design is presented based on the cyclical methodology. The author applies method of existential systemogenetics, which is the progression of the general systemogenetics and technogenetics, theory of cycles, and theory of mentality. The new aspect consists in examination of the period from 1942 to 1953 as stylistically homogeneous, characterized by the decadence of engineer style. The work introduces the new notions about the “postponed development” within the stylistic tends due to the war, which explains the bloom of the “Detroit Baroque”. The author establishes the unity of formal trends in “Stalinist Baroque” and “Detroit Baroque”.
 


Keywords: Ulm School, XX century, mentality, culture, design, style, history of design, Stalinist style, Braun style , Detroit Baroque
This article written in Russian. You can find full text of article in Russian here .

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