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Reference:

Heinrich Schenker's theory in Russia

Zakharov Yurii

Doctor of Art History

Professor, the department of History and Theory of Music, Victor Popov Academy of Choral Art

125565, Russia, g. Moscow, ul. Festival'naya, 2

n-station@rambler.ru

 

 

DOI:

10.7256/2409-8744.2016.2.19008

Review date:

29-04-2016


Publish date:

18-06-2016


Abstract: The article discusses the history of the spread of H. Schenker’s doctrine in Russia. While in the English-speaking world the theory of Schenker had a powerful impact on the harmonic analysis, in the USSR it almost wasn’t known. Only through the efforts of Boris Plotnikov and Yurii Kholopov Russian musicologists were able to get acquainted with this theory at the beginning of the XXI century. The article provides an overview of publications on Schenker in Russia; in particular, we consider some works of Plotnikov.The author raises the question of the special "analytic hearing," which is educated by schenkerian methodology, as well as its inherent inevitable subjective factors.Considering the possibility of applying the theory of Schenker outside tonality the author comes to the conclusion that it can’t be entirely applied to the analysis of atonal and twelve-tone music. However, the reductive method may be isolated from Schenker’s theory in order to find the middleground pitch lines. The final part of article discusses the prospects of Schenker’s theory in Russia.


Keywords: analysis of melody, dodecaphonic music, reductive method, analytic hearing, linear-harmonic analysis, Yurii Kholopov, Boris Plotnikov, Heinrich Schenker, history of the music theory, perspectives of Schenkers theory
This article written in Russian. You can find full text of article in Russian here .

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