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Man and Culture
Reference:

Faith, fear, laughter, and enthusiasm as the elements of cultural archetype in the history of Soviet art

Limanskaya Lyudmila Yurevna

Doctor of Art History

Professor at Russian State University for the Humanities 

109156, Russia, respublika Rossiya, g. Moscow, ul. Sapanskaya, 6/2, of. 241

lydmila55@mail.ru
Другие публикации этого автора
 

 

DOI:

10.7256/2409-8744.2016.3.16718

Review date:

20-10-2015


Publish date:

25-06-2016


Abstract.

The subject of this research is the socio-psychological functions of faith, fear, laughter, and enthusiasm in the semantic inversion of imageries of social realism, social art, and conceptualism. The goal of this work is to follow the dynamics of a cultural archetype within the history of the Soviet art, its historical links and transformations. The author pursues correlation between the images of faith, fear, laughter, and enthusiasm as the semantic codes that define the ideological orientation of development of art systems in the history of Soviet art. The method of semantic analysis of the cultural codes of social realism, social art, and conceptualism allows cognizing the role of the collective unconscious in establishment and transformation of the cultural archetypes in Soviet art. In this article the author poses a question about the role of emotional expressiveness of images in the Soviet art in a new way. The author demonstrates how the fear, laughter, and enthusiasm in the art of social realism and post-Soviet avant-garde unite into the symmetrically-opposing semiotic-culturological projections. The issue of semantic inversion in art from social realism to conceptualism the author associates with the analysis of the role of ideological reforms in establishment and development of a cultural archetype.

Keywords: Enthusiasm, Ideology, Myth , Communist, Propaganda, Social realism, Conceptualism, Laughter, Fear, Faith
This article written in Russian. You can find full text of article in Russian here .

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