Статья 'Соцветие мифа. Проблемы идеологического реформирования 1920-х гг.: отражение в советском кинопроцессе' - журнал 'Человек и культура' - NotaBene.ru
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Man and Culture
Reference:

Blossom of Myth. Problems of Ideological Reformation of the 1920s: Reflection in the Soviet Motion-Picture Process

Jdanova Varvara Aleksandrovna

PhD in Philology

senior researcher at Gerasimov Institute of Cinematography (VGIK)

129226, Russia, Moscow, Wilhelm Pieck's str., 3

varvara.jdanova@yandex.ru

DOI:

10.7256/2306-1618.2014.3.13096

Review date:

09-10-2014


Publish date:

23-10-2014


Abstract.

Object of research is reflection in the Soviet cinema of the 1920th of social changes in society. Reflection – not always direct, mediated, metaphorical, poetic. For example, Moscow eras of military communism, the New Economic Policy – in the movie "Aelita" of Ya.A. Protazanov. In article separate aspects of the Soviet film process of the second half of the 1920th years are analyzed. Some ideological components of creativity of Dzigi Vertov are investigated. Movies "Aelita" (1924, the director Ya. Protazanov), "the Third Petty-bourgeois" (1927, the director A. Room), "The poet and the tsar" are considered from the point of view of reflection of ideology at cinema (1927, the director V. Gardin). Article is based on archival material (archival funds "Glaviskusstvo", "Sovkino" of RGALI) and the press of this period ("The Soviet cinema", "Film Week", "Film Front", etc.). The comparative analysis of sources is applied. On this period of development of the Soviet cinema scientific researches Yu.I are published recently. Goryachev, N. M. Zorkoy, V. S. Listov, E. Margolita, A. Rubaylo, V. I. Fomin and other film experts. Statement of a research objective differs in novelty: identification of projections, systems of reflection of the changing social reality in the Soviet film process of the 1920th. The characteristic in this research of details of reflection in film process of changes of sociocultural image of the country will allow to find details and focal points of film process of the 1920th. It is necessary to refer a conclusion about gradual strengthening of mythemes in the Soviet cinema, "rooting" in movie space of not poeticized reality, and the mythological scheme of functioning of socialist society to scientific results of research.

This article written in Russian. You can find full text of article in Russian here .

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