DOI: 10.25136/2409-8698.2022.5.36947

Abstract: The purpose of this work is to identify and analyze the genre varieties of the story and the typology of characters in the work of N. Nosov. The article presents the genre system of N. Nosov's stories, the main types of stories and their subtypes are shown on concrete examples, typical images of heroes in each type of story are noted. The research uses historical-literary, discursive, typological, analytical, comparative and hermeneutical methods.The article identifies three main genre types: story-action, story-research and story-reflection, and also identifies and analyzes the main types of heroes – hero-doer and hero-thinker. The correspondences of the types of characters and genre varieties of the story are established. The theoretical significance of the work lies in determining the genre specificity of N. Nosov's stories. The results of the study can be used to study the problem of genre specificity of the story and the creative heritage of N. Nosov. The practical significance is connected with the possibility of using the results for further study of N. Nosov's work, as well as teaching courses on the history of Russian and children's literature and literary theory in universities. The research materials can be used not only for the development of special courses on the works of N. Nosov, but also for the creation of historical and literary studies and theoretical courses devoted to the problems of children's literature.

DOI: 10.25136/2409-8698.2020.12.34351

Abstract: This article is dedicated to the analysis of theatrical tradition, which is a manifestation of the game principle in the stories by N. N. Nosov, and is closely associated with life experience and pursuits of the writer. The author carries out a systemic analysis, reviews the embodiment of theatrical traditions on the specific examples, and reveals that in the works of N. N. Nosov, the theatrical principle is reflected in acquisition of the peculiarities of dramatic genres (dialogization, explicit conflict, primacy of action over description, use of declamation, role game as a plot element). Such tools allow creating a comic effect, depict the true character traits of the heroes, convey a bright and creative childhood atmoshpere. The scientific novelty of this research consists in comprehensive analysis of the  theatrical tradition in the works of N. N. Nosov. The relevance is substantiated by insufficient study of the topic of theatrical tradition in the stories by N. N. Nosov, as well as by heightened interest towards his works. The acquired conclusions cab be used in studying literary heritage of the writer. The interpretations of texts offered in this article may valuable in staging the works of N. N. Nosov in the theater or cinematography.