DOI: 10.25136/2409-8744.2019.5.30156

Abstract: The author examines the periods of professional training in the art of playing the trumpet and activity of the pedagogues-trumpeters who worked in the Moscow Conservatory from 1930’s to 2005 – students and successors of M. I. Tabakov, differences in their methods, innovations, continuity of pedagogical and performing traditions, as well as their principles. The article contains the previously known records on pedagogical activity of G. A. Orvid, S. N. Yeremin, L. N. Volodin, Y. A. Usov, A. Maksimenko, V. Y. Yudin, E. Y, Fomin, and Y. E. Vlasenko, along with the new information obtained via conversations and interviews with their colleagues and students. The selected complex methodology combines the historical-chronological method, logical analysis, retrospective method, chronological method, systemic analysis, comparative and descriptive analysis, method of classification; analytical, historiographical and historical approaches towards studying documental materials, as well as technological approach. The scientific novelty consists in the fact that this article is first to provide a full-scale review of the work of M. I. Tabakov’s successors in the Moscow Conservatory, analyze their creative activity and pedagogical principles as a part of a peculiar and unique phenomenon of the Russian music culture and education, as well as a part of the world’s musical heritage.

DOI: 10.25136/2409-8744.2019.4.30204

Abstract: The subject of this research is the modern performing school of playing the trumpet at the Moscow Conservatory. The article reviews the modern professional training in the art of playing the trumpet and the activity of pedagogues-trumpeters of the Moscow Conservatory since 1970 until now. The author traces the evolution of the modern performing school of playing the trumpet, highlights the basic artistic principles of the pedagogues-trumpeters of the Moscow Conservatory, similarities and differences in their methods and performing principles. The article provides the previously known information of their creative activity, as well as the new facts obtained through conversations and interview. The selected complex methodology combines the logical analysis, retrospective method, chronological method, systemic analysis, comparative and descriptive analysis, method of classification; analytical, and historiographical approaches towards studying documental materials. The scientific novelty consists in the detailed coverage of the work of V. Novikov, A. Ikov, A. Korniliev, V. Lavrik and L. Guryev in the Moscow Conservatory, description of similarities and differences in their methods, innovations, continuity of pedagogical and performing traditions and principles.