DOI: 10.7256/2409-8744.2016.5.20197

Abstract: The relevance of this topic first and foremost is associated with the small number of research dedicated to the work of the College of Arts named after P. I. Tchaikovsky. The main attention is given to the revelation of the importance of persona of the Honored Art Worker of the Buryat-Mongolian Autonomous Soviet Socialist Republic Ekaterina Dmitrievna Mironskaya-Prozorova, who was the head of this educational facility over the period of 1944-1958. Through the coverage of various aspects of her work, the authors follow and give a generalized characteristic to the establishment and development of the theatrical and music education in Buryatia. The results of this research can serve as the starting point for the further examination of the processes of establishment of the theatrical and music education of Buryatia. The area of implementation of the results includes the history of culture of Buryatia, preservation of the cultural heritage, history of theatrical education of Buryatia, history of music education of Buryatia, as well as the history of P. I. Tchaikovsky College of Arts.   

DOI: 10.7256/2409-8744.2016.2.19041

Abstract: The subject of this research is the determination and generalization of the peculiarities of the Buryat composer Gur-Darma Dashipylov (1937-1980) vocal style. The goal of this work is the study of the songwriting of one of the brightest and talented composers of Buryatia, as well as definition of his uniqueness, the role and place within the musical culture of Buryatia. This article is one of the first researches dedicated to the examination of the songwriting of the Buryat composer G-D. Dashipylov based on the example of the song “Buryad Oronoym Solo”. The materials from this research can be used in the study of musical culture and professional music of Buryatia, as well as in the music education facilities of the republic. The results of this research can serve as a starting point for the further study of the processes of establishment and development of the song genre within the creative work of the Buryat composers. The area of application of the results includes the history of culture of Buryatia, preservation of cultural heritage, songwriting, and creative work of Buryat composers. It is necessary to note the composer’s ability to achieve poetically generalized and expansive imagery and psychological depth within small, aphoristically compact form of a song, as well as embodiment in his work of the traditions of Buryat folk music. The composer’s songs reached the audience’s sympathy with their psychological sensitivity, ability to express various shades of the mood, and serve as an inspirational example for their listeners.