DOI: 10.7256/2454-0757.2015.10.15441

Abstract: The subject of the research is the mechanisms of structuring images of science within implementation of the phenomenological program of researches first founded by Edmund Husserl in the first third of the XXth century. The relevance and importance of the topic is caused by the two facts. Firstly, the relevance is caused by the great value which phenomenological development in modern philosophy has. The phenomenological program of researches is realized in the field of art, policy and culture in general. Secondly, researches that are based on the phenomenological approach to structuring images of science possesses the heuristic potential to overcome manipulative strategy revealing in the process of demystification (more precisely, demythologization) pf procedures for creating scientific knowledge. The methodology of the research includes the comparative analysis and hermeneutic reconstruction which allow to compare phenomenology with other options of understanding of science images and to reveal complete sense of phenomenology. The novelty of the research is caused by the special turn of philosophical thought which was required to be executed in order to understand the object under research, i.e. the image of science. The author comes to the conclusion that within phenomenology reviving some ideals of antiquity in modern culture, images of science are structured within the general denaturalization of knowledge which, however, doesn't coincide with historical forms of knowledge. From the phenomenological point of view, scientific activity is a process of creation of knowledge which implies procedures of justification and description as part of the cognitive mind. Such understanding of science images allows to understand their ineradicable plurality in modern culture and to explain the reasons of this plurality. 

DOI: 10.7256/2409-8728.2015.10.1690

Abstract: Object of the article was the regularities of modification of fundamental intentions in understanding of the nature and essence of emotions in the context of culturological researches. An author approved that the possibility of transformation of basic intentions of understanding of emotions coincided with features of structure of psychological, biological and culturological knowledge. The empirical data, which were saved up in biology did not receive adequate generalization within psychological theories, demanding introduction of additional general scientific hypotheses. In particular, it was necessary to actualize one of the ideas making part of antique legacy. Adequate understanding of human emotions was possible only at their interpretation as the functions of harmonious development of the corporal and incorporeal origins of a human nature. The methodology of research included synthesis of the natural-science and philosophical and culturological principles of understanding of a place and role of emotions of the human in the course of his sociocultural development as the being having corporal (material) and incorporeal (ethical, esthetic and others) manifestations. Novelty of research was in the proof of the thesis that the leading role in formation of emotions was played by the conflict between the natural and cultural origins in the human. The role of the corporal sphere in formation of human activity, its active influence on activity along with culture was disclosed. The interpretation of sociocultural life of emotions allowed actualized some antique ideals for understanding of harmonious unity of the corporal and incorporeal phenomena in human being.